IMDb RATING
7.6/10
13K
YOUR RATING
Life changes dramatically for a Czech housemaid when the family coachman gives her three magical hazelnuts.Life changes dramatically for a Czech housemaid when the family coachman gives her three magical hazelnuts.Life changes dramatically for a Czech housemaid when the family coachman gives her three magical hazelnuts.
- Director
- Writers
- Stars
Dana Hlavácová
- Dora
- (as Daniela Hlavácová)
Jaroslava Adamová
- Mother
- (voice)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
As a child I watched this on a rerun and fell for the enchanting story which whisked me away into a fantasy far from my own rather boring life. I remember being on holiday when it was showing and begging my father to get us home in time to be able to watch it on TV. The story is simply magical and for any audience still holds a romance all of its own. Anyone who has not seen it should watch it and if you remember it then you will know just what I am saying.
I am trying to get hold of it on DVD but so far unsuccessfully.... If anyone knows where I may get hold of a copy then please do send me an e-mail (simonhbailey@blueyonder.co.uk) I would be very grateful.
This is one show that has stayed firmly fixed in my memory and I would love to be able to see it again sometime.
I am trying to get hold of it on DVD but so far unsuccessfully.... If anyone knows where I may get hold of a copy then please do send me an e-mail (simonhbailey@blueyonder.co.uk) I would be very grateful.
This is one show that has stayed firmly fixed in my memory and I would love to be able to see it again sometime.
Most of what I feel about this film has already been said: it is a must at Christmas, it is modern, feminist, strong, well thought-out, beautiful, funny, sweet, charming, has a great soundtrack, lovely people, has the right amount of emotions, is playful, one for the children and grown-ups alike. The only problem with it is that it seems virtually unknown in Scotland and it saddens me to think that so many British children might never know the joys of this piece of total magic. It should be compulsory.
This movie has been part of my life as long as I can remember. Fortunately Swiss TV made it a habit to broadcast it on or around Christmas every year. This would make it seem unnecessary to purchase a DVD, but I did so today anyway, as soon as I noticed it the fist time in the store, I didn't even bother looking at the price tag, which is uncommon for a me as a Swiss...
What makes this movie so unique in its kind is its appeal to every age group. For a small child, it's just a delightfull fairy tale with all necessary ingredients. A couple years older one appreciates the wonderful pictures of castles, animals, hunting scenes. Then I started understanding its special humour. Later of course I fell in love with the gorgeous youthful tomboyish main actress and couldn't see enough of her riding in moon light through a snowy landscape. Then I started noticing how innovative the style of the movie was in its time, how well done the cutting, how fitting the soundtrack. I also saw how well it portrays women as equal partners that are not defined by beauty alone. After all the prince has to acknowledge all of Cindarella's roles, (worker, huntress, and ball princess) before she agrees on marrying him.
Of course it has its little imperfections. Some of the actors can't quite reach the standard set by others. Some tricks like the flight of Rosalie (the owl) don't look right. Sometimes the pics are just a little too "kitsch". But it just doesn't matter. It's my favorite fairy tale movie, and it always will be. It's a lifelong love story, hopefully to be passed on to other generations.
What makes this movie so unique in its kind is its appeal to every age group. For a small child, it's just a delightfull fairy tale with all necessary ingredients. A couple years older one appreciates the wonderful pictures of castles, animals, hunting scenes. Then I started understanding its special humour. Later of course I fell in love with the gorgeous youthful tomboyish main actress and couldn't see enough of her riding in moon light through a snowy landscape. Then I started noticing how innovative the style of the movie was in its time, how well done the cutting, how fitting the soundtrack. I also saw how well it portrays women as equal partners that are not defined by beauty alone. After all the prince has to acknowledge all of Cindarella's roles, (worker, huntress, and ball princess) before she agrees on marrying him.
Of course it has its little imperfections. Some of the actors can't quite reach the standard set by others. Some tricks like the flight of Rosalie (the owl) don't look right. Sometimes the pics are just a little too "kitsch". But it just doesn't matter. It's my favorite fairy tale movie, and it always will be. It's a lifelong love story, hopefully to be passed on to other generations.
Why did it take me so long to see Three Wishes for Cinderella? The only excuse had is that until people starting recommending it on the recent Cinderella film boards, Three Wishes for Cinderella was completely unknown to me.
After hearing from these people that it was the best version of the Cinderella story (always has been my personal favourite fairy tale), this reviewer knew she had to check it out. And it really has to be one of the best decisions and things done in some time. As much as I don't have anything against other versions of Cinderella like some of the commentators do, most of them are actually very enjoyable to great to me, I do have to fully concur after tracking the full film down on Youtube that Three Wishes for Cinderella is the best version of the story. Adaptation-wise, while not completely faithful to all the details the basic details are there (if more Grimm than Perrault with the inclusion of doves to help with the impossible tasks), but also the magical spirit of the story still remains and the freshness that is brought to the storytelling also was much appreciated.
Three Wishes for Cinderella is a wonderful-looking film. It's beautifully shot and fluidly edited (quite innovative for the time I'm told), the winter scenery and decor are nothing short of exquisite and the costumes are equally attractive. The music score is whimsical, fits absolutely perfectly and was clearly scored with a lot of love and care, the main theme does repeat itself but is incredibly catchy and radiates with charm, almost like being part of a dream. Three Wishes for Cinderella smartly and poignantly scripted with some nice refreshing humour. Where it is easy to identify completely with Popelka and her problems and the characters are more developed than just being archetypes.
Storytelling was really well-told and compelling, sometimes paced deliberately but never to the extent of being too slow or laborious. Also loved how Popelka and the Prince's romance and the character of the Prince was more developed, consequently wittier and more affecting than most versions with the exception of Ever After and the recent Cinderella (though it does it a little better than those two). As mentioned, the characters are interesting and nicely written and developed, as aforementioned being more than stock archetypes/stereotypes like characters can be in adaptations in fairy tales (not a knock, as there is still a lot of love for them by me, but it is true). The tricks and effects are mostly fine, though those of Rosalie the owl agreed are a tad rushed-looking, but that is such a minor complaint and didn't jar too much.
Acting is very good. Libuse Safránková is exceptional as Popelka. She is beautiful and shows great personality, she's smart, sometimes funny, spunky, kind, effortlessly cute and incredibly charming and poignant. Love also her almost deadly aim (how many versions of Cinderella have that?), how she rides her horse and dances, almost like on a cloud. The Prince of Pavel Trávnícek matches her perfectly in charm, is never dull or annoying for a character in the story who is barely developed, and the character is surprisingly interesting. Their chemistry together is thoroughly convincing. Carola Braunbock relishes her role as the cruel mother while avoiding overdoing it, a difficult task for a character so juicy in most adaptations of Cinderella. Likewise with Dana Hlavácová's Dora (the sister), and the King and Queen are touchingly and sincerely played.
Overall, pure fairy tale magic and adaptations of Cinderella don't get much better than this. 10/10 Bethany Cox
After hearing from these people that it was the best version of the Cinderella story (always has been my personal favourite fairy tale), this reviewer knew she had to check it out. And it really has to be one of the best decisions and things done in some time. As much as I don't have anything against other versions of Cinderella like some of the commentators do, most of them are actually very enjoyable to great to me, I do have to fully concur after tracking the full film down on Youtube that Three Wishes for Cinderella is the best version of the story. Adaptation-wise, while not completely faithful to all the details the basic details are there (if more Grimm than Perrault with the inclusion of doves to help with the impossible tasks), but also the magical spirit of the story still remains and the freshness that is brought to the storytelling also was much appreciated.
Three Wishes for Cinderella is a wonderful-looking film. It's beautifully shot and fluidly edited (quite innovative for the time I'm told), the winter scenery and decor are nothing short of exquisite and the costumes are equally attractive. The music score is whimsical, fits absolutely perfectly and was clearly scored with a lot of love and care, the main theme does repeat itself but is incredibly catchy and radiates with charm, almost like being part of a dream. Three Wishes for Cinderella smartly and poignantly scripted with some nice refreshing humour. Where it is easy to identify completely with Popelka and her problems and the characters are more developed than just being archetypes.
Storytelling was really well-told and compelling, sometimes paced deliberately but never to the extent of being too slow or laborious. Also loved how Popelka and the Prince's romance and the character of the Prince was more developed, consequently wittier and more affecting than most versions with the exception of Ever After and the recent Cinderella (though it does it a little better than those two). As mentioned, the characters are interesting and nicely written and developed, as aforementioned being more than stock archetypes/stereotypes like characters can be in adaptations in fairy tales (not a knock, as there is still a lot of love for them by me, but it is true). The tricks and effects are mostly fine, though those of Rosalie the owl agreed are a tad rushed-looking, but that is such a minor complaint and didn't jar too much.
Acting is very good. Libuse Safránková is exceptional as Popelka. She is beautiful and shows great personality, she's smart, sometimes funny, spunky, kind, effortlessly cute and incredibly charming and poignant. Love also her almost deadly aim (how many versions of Cinderella have that?), how she rides her horse and dances, almost like on a cloud. The Prince of Pavel Trávnícek matches her perfectly in charm, is never dull or annoying for a character in the story who is barely developed, and the character is surprisingly interesting. Their chemistry together is thoroughly convincing. Carola Braunbock relishes her role as the cruel mother while avoiding overdoing it, a difficult task for a character so juicy in most adaptations of Cinderella. Likewise with Dana Hlavácová's Dora (the sister), and the King and Queen are touchingly and sincerely played.
Overall, pure fairy tale magic and adaptations of Cinderella don't get much better than this. 10/10 Bethany Cox
10RICOKa
Well, I grew up with this movie and ever since I watched it for the first time, it has lost none of its magic. Music, acting, location (near Dresden, by the way), everything is just fine. And there is one thing for sure: no US-version of "Cinderella" can keep up with this one. Some sort of simplicity might make the difference. Although it´s just a fairy tale, it moves your heart.
Storyline
Did you know
- TriviaShown on Norwegian, German, Swiss, Czech and Slovak television every Christmas.
- GoofsObvious day-for-night in many of the outdoor sequences, with wildly inconsistent light levels from shot to shot within the same scene.
- ConnectionsEdited into CBS Children's Film Festival: Three Nuts for Cinderella (1974)
- How long is Three Wishes for Cinderella?Powered by Alexa
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Three Nuts for Cinderella
- Filming locations
- Moritzburg Castle, Saxony, Germany(royal castle exteriors)
- Production companies
- See more company credits at IMDbPro
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By what name was Three Wishes for Cinderella (1973) officially released in India in English?
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